Melancholia time.
I've started work on a new piece tonight. The working title is "Roughs for a longer text". It consists of snippets of what might be poems, what might be more a statement of intent (my reading of the semantically dodgy catch-all term "poetics").
My field is just so fucking vast . There is a weight of canon which, provides something to kick against at the smae time as being a huge set of shackles. I can write what I like, I can fight every poetic tradition that has ever existed, which may be the key to "making it new" cf Pound, tho' he was a cunt. At the same time, however, I will unconsciously reference Lee Harwood, Tom Raworth, Bill Griffiths, Roy Fisher, Brecht, Perec, Bunyan, Pynchon, Allen Fisher, Rob Sheppard, Scott Thurston, everyone I've ever read who has impacted upon me in some way.
(Take a few moments here and G00gl3 a few of the names, it'll help understand, trust me).
GAH! Why do I bother? The answe...
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